When a man's wife and family are murdered, he plots revenge only to find out that the killer is under Federal protection and he must exact his own form of justice.

A detective tries to remain loyal to his partner, and his best friend - a mobster.

Ambrus, the canon pretender and Gerzson, the stinking rich lawyer, taking advantage of a sect and a fake hospice, are engaged in doing unsuspecting old people out of their money.

This film explores what makes the unbelievable believable. When we hear a story that seems mysterious or far-fetched, we put more trust in its accuracy the longer ago it took place. As the centuries pass, the truth becomes more malleable. We grow less skeptical of what we might otherwise dismiss as incredible. Our perspective changes. This film addresses the eerie transformation of a familiar myth when displaced to the present.

A film about sexist violence, structured through several independent stories in which actors portray characters of the opposite sex. By using gender-swapped casting, the film explores how reversing traditional roles can shift our understanding of power dynamics and the conflicts that emerge from them.

Phillipe Charboneau is the illegitimate son of an English duke. When he travels from France to England to claim his inheritance, he incurs the wrath of his father's family and is forced to flee to America, where he becomes involved in the events leading to the American Revolution. (Episodes 1 and 2 of the Kent Chronicles miniseries.)

Phillipe Charboneau is the illegitimate son of an English duke. When he travels from France to England to claim his inheritance, he incurs the wrath of his father's family and is forced to flee to America, where he becomes involved in the events leading to the American Revolution. (Episodes 1 and 2 of the Kent Chronicles miniseries.)

The main character, Eszter Tóth, raped by five Russian soldiers in Transcarpathia in 1944 , gives birth to a baby : the bastard of the devil. The story shows the vibrations of the wounded soul of a woman under the pressure of history.

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Stefan and Liv sit down in a taxi after a partner change has gone awry, and start arguing in front of an unaware foreign driver.